The close ups of construction sites and scaffold are a vertical cityscape: a vertical grid and record of the New York City in flux and change as the the new replaces the old. Akin to Gerhard Richter's Cities,* this work chronicles the enormous changes in New York City and reflects the preservation of historic and sacred spaces, notably Old St. Paul's Church in Lower Manhattan and St. Patrick's Cathedral.
This group relates to previous series because all groups are architectonic. The previous cityscapes are mostly vertical canvasses, paintings of structures emphasizing top and side. The figure paintings are partly about the way the volumes within the space of the painting relate to the body or location of the viewer(or maker). In all the "point of view" is specific and established. The painting acts as an extension of the room, like a mirror or window, containing structures that relate to the position of the viewer's body in space.
In the painting "Fugue" the cubic and rectangular shapes repeat and echo in ways that were not anticipated. While the literal subject is in fact a constuction site with complicated scaffold, the patterns of cubes, parallelograms and other geometric shapes form and repeat in overlapping patterns in space. Through playing and singing, particularly the music of Bach, I became fascinated by the structure of the fugue and counterpoint. In a fugue there is a subject, the repeating phrase that is like a sentence, which repeats in three or four overlapping voices. In a canon (or round), the voices overlay and begin at staggered intervals. The more one plays a fugue the more one notices the hidden subject lines. It is uncanny, the structure lends itself to discovery



Fugue  oil on cavnas 36" x 36" 2014

I feel a relationship through pattern and physical space. In Painting, my engagement ultimately in some way relates back to the physical position of the body in space.
The transparencies of late, or seeing through the glass is a new theme, something that I've only begun to explore in 2018. There is no end to the things that happen visually within the glass, any change behind or around it is a whole new circumstance. It is like water, ever changing and challenging to paint.

Fluted Glass Vase with Red Background   oil on linen 24" x 24" 2019